Sashiko is a term you might be hearing more and more recently thanks to its adoption into mainstream fashion, but what is the technique, and where did it come from? When we talk about sashiko, we’re referring to one of two things; sashiko stitching or sashiko weaving. Both are similarly coveted, but have very different histories and functions, so let's break them down and figure out why they’ve become so popular in the last few years.
Sashiko Stitching
Sashiko stitching is what you’re probably most familiar with, with its textured and almost scrappy appearance making it incredibly easy to spot. Characterised by hand-stitched patterns and often contrasting thread, sashiko appeared sometime during the Edo period of Japan (1600-1860) with the goal of strengthening, decorating, and adding warmth to workwear. Primarily popular among farmers, the technique spread to coastal areas of Japan in the 1900’s, evident through the numerous examples of sashiko stitching on fisherman's clothing from the time. Because of its origins in rural areas and its use for repair, the technique is almost always hand stitched, and can be applied in a nearly endless number of patterns, making it an incredible way to give a garment a longer lifespan whilst also adding uniqueness and personality to it. An incredibly laborious but very rewarding process, sashiko stitching is often associated with ‘Boro’, which refers to the technique of combining different scraps of fabric to repair or create clothing in a quilt-like pattern. Both techniques have gained massive popularity recently, largely because of its adoption into mainstream designer collections of brands like Kapital and Proletra Re Art, with pieces fetching upwards of £5000 because of how labour intensive they are to create.
The look of sashiko stitching is divisive, with some loving the distressed and handmade nature of the technique, while others see the stray threads and patchwork look as too firmly rooted in vintage workwear. Regardless, sashiko has gained something of a cult status, both for its looks and the philosophy that surrounds it. The idea of visible repair springs from the Japanese philosophy of mottainai (essentially “waste not, want not”) which celebrates the history of garments worn by workers. Often, jackets and trousers that have been repaired with Sashiko and Boro are passed down through generations 3 or 4 times before they themselves are used as patchwork pieces for the next repairs. It’s easy to see why this has struck a chord with those in the heritage world, as an emphasis for repair goes hand in hand with the slow fashion nature of this kind of clothing.